Your Product Is Premium.
Your Visuals Should Be Too.
3D product visuals and motion for consumer brands, made by the person you actually brief.
Projects start at $2,500. A few quick questions, no commitment.
Selected brands
Selected brands
Selected brands
Get launch-ready 3D visuals and motion content, built to your brand standard and scoped to your timeline.
Hero stills, social animations, full campaign suites and ongoing content partnerships. Bring a detailed brief or just a product and an idea. Either way, the work arrives finished, on brand and ready to use.
Featured Work
Some of the work I’m proudest of. Client projects and a few of my own.
Capabilities
The skills I bring to every project, applied where they’re needed.
3D Production
Photorealistic renders from CAD files or modeled from scratch, with detail sculpted by hand. I build the materials and lighting so every surface looks real.
Product Motion
3D animation that brings your product to life across social, campaign and launch, including real-world physics like pours, splashes and falling crumbs. Delivered with sound and ready to post.
Visual Storytelling
Building a world around your product. Studio scenes, real and imagined places, and story‑led visuals across stills and animation. I design every set, prop and light to suit the brand.
Product Ranges
Whole ranges, not just the hero product. For Mezcla I sculpted every bar and created custom flavor cues for each, with new flavors added as the range grows.
Process
From your first brief to final delivery, here’s exactly what to expect.
Discovery Call
I’ll learn about your brief, product, timeline and goals. A straightforward conversation to see if we’re the right fit.
Proposal & Pricing
You’ll receive a clear proposal with fixed pricing based on your brief and timeline. No vague estimates, no surprise invoices.
Creative Checkpoint
Before full production begins, I’ll present an initial creative approach for your approval. You only move forward when you’re confident. If it’s not right, I’ll rework it before anything goes further.
Production & Refinements
I work through defined creative stages with clear progress updates and structured check-ins. Three rounds of consolidated feedback are included so the final result reflects your vision.
Delivery
Final files delivered in all agreed formats, on time. No chasing required.
A few quick questions. No commitment.
Process
From your first brief to final delivery, here’s exactly what to expect.
Discovery Call
I’ll learn about your brief, product, timeline and goals. A straightforward conversation to see if we’re the right fit.
Proposal & Pricing
You’ll receive a clear proposal with fixed pricing based on your brief and timeline. No vague estimates, no surprise invoices.
Creative Checkpoint
Before full production begins, I’ll present an initial creative approach for your approval. You only move forward when you’re confident. If it’s not right, I’ll rework it before anything goes further.
Production & Refinements
I work through defined creative stages with clear progress updates and structured check-ins. Three rounds of consolidated feedback are included so the final result reflects your vision.
Delivery
Final files delivered in all agreed formats, on time. No chasing required.
A few quick questions. No commitment.
Process
From your first brief to final delivery, here’s exactly what to expect.
Discovery Call
I’ll learn about your brief, product, timeline and goals. A straightforward conversation to see if we’re the right fit.
Proposal & Pricing
You’ll receive a clear proposal with fixed pricing based on your brief and timeline. No vague estimates, no surprise invoices.
Creative Checkpoint
Before full production begins, I’ll present an initial creative approach for your approval. You only move forward when you’re confident. If it’s not right, I’ll rework it before anything goes further.
Production & Refinements
I work through defined creative stages with clear progress updates and structured check-ins. Three rounds of consolidated feedback are included so the final result reflects your vision.
Delivery
Final files delivered in all agreed formats, on time. No chasing required.
A few quick questions. No commitment.
I know what it takes to make a product look exceptional.
I’m Simon Verrill. I started Seymour Studio in 2022 and now make 3D product visuals and motion for consumer brands and the agencies behind them.
Mezcla is a good example of how that works. I built their whole range in 3D and sculpted every bar by hand. Those renders now run across their packaging, ads and OOH.
Before that, I spent twelve years retouching in London and New York, at I Heart Studios, Jones Knowles Ritchie and Bulletproof, on brands like Budweiser, Burger King, Dunkin’, Oreo, Snickers and Smirnoff. As more of that work moved to 3D, I learned it alongside the day job until it became the job.
So you get an agency-trained eye for detail with no handoffs. The person you brief is the person doing the work.
If you have a product or project that deserves better visuals, I’d love to hear about it.
A few quick questions. No commitment.
A few quick questions. No commitment.
I know what it takes to make a product look exceptional.
I’m Simon Verrill. I started Seymour Studio in 2022 and now make 3D product visuals and motion for consumer brands and the agencies behind them.
Mezcla is a good example of how that works. I built their whole range in 3D and sculpted every bar by hand. Those renders now run across their packaging, ads and OOH.
Before that, I spent twelve years retouching in London and New York, at I Heart Studios, Jones Knowles Ritchie and Bulletproof, on brands like Budweiser, Burger King, Dunkin’, Oreo, Snickers and Smirnoff. As more of that work moved to 3D, I learned it alongside the day job until it became the job.
So you get an agency-trained eye for detail with no handoffs. The person you brief is the person doing the work.
If you have a product or project that deserves better visuals, I’d love to hear about it.
A few quick questions. No commitment.
A few quick questions. No commitment.
I know what it takes to make a product look exceptional.
I’m Simon Verrill. I started Seymour Studio in 2022 and now make 3D product visuals and motion for consumer brands and the agencies behind them.
Mezcla is a good example of how that works. I built their whole range in 3D and sculpted every bar by hand. Those renders now run across their packaging, ads and OOH.
Before that, I spent twelve years retouching in London and New York, at I Heart Studios, Jones Knowles Ritchie and Bulletproof, on brands like Budweiser, Burger King, Dunkin’, Oreo, Snickers and Smirnoff. As more of that work moved to 3D, I learned it alongside the day job until it became the job.
So you get an agency-trained eye for detail with no handoffs. The person you brief is the person doing the work.
If you have a product or project that deserves better visuals, I’d love to hear about it.
A few quick questions. No commitment.
A few quick questions. No commitment.
FAQs
How much does a typical project cost?
I price per project, not per day. Projects start at $2,500 and go up with the number of deliverables, the amount of motion, and how much needs building from scratch. You’ll have a fixed price in your proposal before anything starts.
How long does a project usually take?
Timelines vary depending on the scope and complexity of the project. Every timeline is agreed upfront in your proposal so you always know exactly where you stand.
What if I don’t have CAD files?
CAD files speed up the process but aren’t always essential. If you don’t have them, modeling from scratch is scoped separately and priced accordingly. We’ll figure out the best approach on your discovery call.
What if I don’t like the initial creative approach?
Every project has a creative checkpoint before full production. Whether you arrive with a brief or without one, I present the direction, you approve it, and nothing goes into production without your sign-off. If it’s not right, it gets reworked at that stage, not at the end.
Do you work with brands directly or through agencies?
Both. Brands come to me directly for product visuals and motion, and agencies bring me in when they need a 3D specialist on a project. Either way, the price is fixed before we start and the person you brief is the person who delivers.
How involved do I need to be throughout the project?
It’s entirely up to you. Some clients like to be kept closely in the loop, others prefer to step back and see the finished result. Either way, you’ll have a clear brief, defined milestones, and structured check-ins so you always know where things stand. Three rounds of consolidated feedback are included so your input is meaningful and well timed.
Can you handle our full campaign, not just individual assets?
Yes, within the world of 3D visuals and motion. I produce hero stills, social animations with sound, and full format suites for campaign use.
Do I pay for the 3D model again on the next project?
No. Once your product exists in 3D, I keep the files. New angles, flavors, formats and campaigns start from that master, so follow-on work is faster and costs less than the first job.
FAQs
How much does a typical project cost?
I price per project, not per day. Projects start at $2,500 and go up with the number of deliverables, the amount of motion, and how much needs building from scratch. You’ll have a fixed price in your proposal before anything starts.
How long does a project usually take?
Timelines vary depending on the scope and complexity of the project. Every timeline is agreed upfront in your proposal so you always know exactly where you stand.
What if I don’t have CAD files?
CAD files speed up the process but aren’t always essential. If you don’t have them, modeling from scratch is scoped separately and priced accordingly. We’ll figure out the best approach on your discovery call.
What if I don’t like the initial creative approach?
Every project has a creative checkpoint before full production. Whether you arrive with a brief or without one, I present the direction, you approve it, and nothing goes into production without your sign-off. If it’s not right, it gets reworked at that stage, not at the end.
Do you work with brands directly or through agencies?
Both. Brands come to me directly for product visuals and motion, and agencies bring me in when they need a 3D specialist on a project. Either way, the price is fixed before we start and the person you brief is the person who delivers.
How involved do I need to be throughout the project?
It’s entirely up to you. Some clients like to be kept closely in the loop, others prefer to step back and see the finished result. Either way, you’ll have a clear brief, defined milestones, and structured check-ins so you always know where things stand. Three rounds of consolidated feedback are included so your input is meaningful and well timed.
Can you handle our full campaign, not just individual assets?
Yes, within the world of 3D visuals and motion. I produce hero stills, social animations with sound, and full format suites for campaign use.
Do I pay for the 3D model again on the next project?
No. Once your product exists in 3D, I keep the files. New angles, flavors, formats and campaigns start from that master, so follow-on work is faster and costs less than the first job.
FAQs
How much does a typical project cost?
I price per project, not per day. Projects start at $2,500 and go up with the number of deliverables, the amount of motion, and how much needs building from scratch. You’ll have a fixed price in your proposal before anything starts.
How long does a project usually take?
Timelines vary depending on the scope and complexity of the project. Every timeline is agreed upfront in your proposal so you always know exactly where you stand.
What if I don’t have CAD files?
CAD files speed up the process but aren’t always essential. If you don’t have them, modeling from scratch is scoped separately and priced accordingly. We’ll figure out the best approach on your discovery call.
What if I don’t like the initial creative approach?
Every project has a creative checkpoint before full production. Whether you arrive with a brief or without one, I present the direction, you approve it, and nothing goes into production without your sign-off. If it’s not right, it gets reworked at that stage, not at the end.
Do you work with brands directly or through agencies?
Both. Brands come to me directly for product visuals and motion, and agencies bring me in when they need a 3D specialist on a project. Either way, the price is fixed before we start and the person you brief is the person who delivers.
How involved do I need to be throughout the project?
It’s entirely up to you. Some clients like to be kept closely in the loop, others prefer to step back and see the finished result. Either way, you’ll have a clear brief, defined milestones, and structured check-ins so you always know where things stand. Three rounds of consolidated feedback are included so your input is meaningful and well timed.
Can you handle our full campaign, not just individual assets?
Yes, within the world of 3D visuals and motion. I produce hero stills, social animations with sound, and full format suites for campaign use.
Do I pay for the 3D model again on the next project?
No. Once your product exists in 3D, I keep the files. New angles, flavors, formats and campaigns start from that master, so follow-on work is faster and costs less than the first job.
“We brought Simon in to build the full Mezcla range in 3D for our rebrand. The new packaging was a hit at Expo West, and we’ve kept coming back to him for new flavors and campaigns. He’s fast, easy to work with and really cares about the details.”
Polina Budilina
Sr. Marketing Manager, Mezcla
Got a product worth showing off?
Let’s talk.
A few quick questions. No commitment.
Got a product worth showing off?
Let’s talk.
A few quick questions. No commitment.
Got a product worth showing off?
Let’s talk.
A few quick questions. No commitment.